CityLife

For one of his final operas, Mozart examined political and romantic intrigue with a compelling return to the opera seria form in this profound masterwork. Set in Rome at the time of the Emperor Titus, Mozart's score, to a libretto by Metastasio, exposes a world of intrigue where jealousy, guilt and doublecrossing are the order of the day.

CityLife review

There aren’t a lot of laughs in Mozart’s La Clamenza Di Tito (though the audience did find a few titters in the English translation as it was sung – that’s the perils of subtitling for you).more