CityLife Rating
Will Young
Will Young
Apollo
November 15, 2009
SINCE his days as a fresh-faced Pop Idol contestant, Will Young has successfully battled his personal demons folowing his meteoric rise to fame after winning the contest in 2002.
Besides an acting spell, he's bagged four number one singles - new compilation The Hits is now doing the rounds - eschewing the tabloid trappings of pop contemporaries to become one of the country's most loved artists.
At the opening of a two-night stint at the Apollo, Young delivered a sparkling showcase of singles and newer material.
Bouncing on stage to the rock-styled Switch It On, Young appears confident and at ease with his fanatical fan base, pausing to chat between songs as if meeting long-time friends.
Pop subtlety
Young lived in Manchester during his lead role in The Vortex at The Royal Exchange theatre, and no doubt found familiar faces before him on the night.
His velvet-like vocals are flawless throughout, while the energetic and boy-ish charm remains from his early career.
Top ten single Changes is delivered with stylish aplomb, bringing the Apollo to its feet, while a hip-shaking run through of The Doors' Light My Fire shows Young's ability to shake up and re-imagine classics from the past.
Leave Right Now, arguably his best song, is a glorious lesson in pop subtlety, while All Time Love is a tearful standout.
Striking recent single Grace leads the way for an encore of Evergreen, the Westlife cover that catapulted Young into the nation's hearts and left tonight's crowd singing their way home.
Reviewed: Mon, 16 November, 2009
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Reviews (4)
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David Turner
17/11/09 09:49
I'm not sure which concert the first reviewer went to, it certainly doesn't sound like the one I went to on Sunday night.
Will Young's performance was superb. He has an excellent voice which was particularly highlighted when he sang with just a piano for accompaniment. He engaged the crowd very well, like they were all frends, without being patronising, which I find many performers to be.
I thought the set itself (lighting effects etc) was just right, and it worked really well.
As for the crowd, well around me it was very diverse. A very healthy mixture of older and younger men, women, boys and girls. Everyone of them seemed to thoroughly enjoy it (as did my wife and I).
A superb night out, and I can't wait for Will Young to return.
This review is the opinion of a CityLife reader and not that of CityLife itself
fay roskell
27/11/08 09:15
I went to see Will on the Sunday night and I thought he was truly flawless, He interacted with the crowd, who may I say from where I was standing there were men, kids, teenage girls, women, and pensioners! I have never seen such a diverse crowd so I dont understand where that critic was coming from! anyway, he was stripped back to just him his wonderful voice and the band, which is all that was needed for such an intimate gig, his soulful voice took control of the theatre and with out a note out of place he showed his talent at its best! who needs razzle dazzle when you have a raw talent like that!! well worth £32.50
x Fay x
This review is the opinion of a CityLife reader and not that of CityLife itself
pauline ward 556
26/11/08 00:16
Well, it takes all sorts to make a reviewer, and this is one that is completely out of touch with what it was like at the amazing Concert at Manchester. The audience was very diverse, the crowd gave Will a standing ovation, no other singer cuts it live like him. This reviewer obviously went with his own agenda, also it is only one point of view which of course he is entitled to, as for the audience, they made it evident that they do not agree with this particular point of view.
This review is the opinion of a CityLife reader and not that of CityLife itself
Gary Ryan
24/11/08 15:55
SINCE standing up to a sceptical Simon Cowell on Pop Idol back in 2001, Will Young has always taken criticism on the chin, defying the talent show odds by maintaining a career of some longevity.
Interestingly, his fanbase has completely switched from pop kids to women “of a certain age”; from G-A-Y to WI.
“He’s so lovely!,” coos one ecstatic Mrs Doyle after another, taking it turns to hand him gifts.
Someone has fashioned a replica of his unthreatening face out of cardboard, while another throws a toy leprechaun at him.
You wonder how Will must feel looking out into the crowd, knowing that at only 29, he’s turned into Cliff Richard without the early, Elvis-aping period.
But then his first album in three years, Let It Go, doesn’t dissuade this image, stuffed with music so inoffensive, it begs your pardon for entering your ears.
It’s a shame because 2005’s From Now On contained moments such as Switch It On, which suggested he was willing to chance his arm creatively.
All-dancing
The attendant tour for that was an all-singing, all-dancing extravaganza, replete with dancers, costume changes and ingenious stagecraft.
Here, we have just Will and his band chugging through his tidy blue-eyed soul. For £32.50 a ticket, you’d have thought they could have least sprung for a glitter canon.
Gospel-pop
At best – as on the orchestral gospel-pop of Your Game and a stripped-back and slowed-down version of the Jay Kay-esque Friday’s Child – Will is given the material to complement his powerful, always engaging vocals.
But these pleasures are buried under the rubble of the likes of Let It Go which aims for George Michael but alights on Simply Red, the rousing, navel-gazing Grace which is pleasant yet ultimately dull, and worse of all, the funk-pop of Love and Are You Happy, which is mired in Eighties Essex wine bar hell.
With his frequent one-liners, or ad hoc songs about the merchandise stall, the impression you’re left with is that Will’s music simply isn’t as interesting as the man himself.
Ending with the money shot of Leave Right Now, you can only wonder if his mooted collaboration with Groove Amada might show us what he’s capable of.
What did you think of Will's show? Have your say.
This review is the opinion of a CityLife reader and not that of CityLife itself
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